»Best Compilation Ever« struggles with the logic of the compilation — a format familiar from YouTube, TikTok or pornography, where loosely linked climaxes form a genre. The category is KISSING. Though kissing itself has no climax, it is often staged as a contractual conclusion: the proverbial »happy ending«, a consumable image. Yet in the act itself, eyes close and attention shifts away from the visual. Through improvisation and repetition, the performers turn the climax into an ongoing, expansive encounter. Between image and embodied process, they seek a performative language of desire that destabilizes capitalist logics of commodification and reclaims repetition as a site of resistance.